Kyle brush megapack cheat sheets
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In addition to crafting brushes, you’re also an incredibly talented illustrator.
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If I do not have enough for a full collection, I will add these new tools to my Megapack, which has grown over the years from 90 assorted tools to 170! Before releasing any new brushes, I will send them to a short list of beta testers who I trust to give me excellent feedback. This can take a few minutes or weeks of tinkering.Īfter I have an assortment of mostly finished brushes, I will look for common traits, and then group them together, add brushes, and refine this group until it becomes a dedicated set that emulates a certain kind of natural media. Then, I will make adjustments to a tool through Photoshop’s brush engine and see how many unusual things I can make it do. These shapes are often made in Photoshop using other brushes I have already built (more than 400 of them now), or will be created with natural media on paper and then scanned.
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Most of the time, I will let myself be free to create shapes for hours until I hit upon a few that seem special somehow. What is your workflow for creating a Photoshop brush?Īctually, there is no set sequence of moves in place for creating my tools. I now have over 150,000 customers around the world. Finally, in 2013, after numerous requests from associates to borrow my brushes, and when Gumroad had gone live and made it possible for independent creators to sell digital products easily, I launched. I continued making better and better tools at the design firm and then at my own company after 2006, when it became a bit of an obsession in my downtime. We had to confess that there were no originals! I knew then that the tools I had created were quite good and had served their purpose. I created custom brushes to do the job in Photoshop instead (because of the very tight deadline and inevitable rounds of revisions) and after the report was successfully printed, the client requested one of the ‘original paintings’ for their corporate office. I was once asked to create folk art painted in acrylics on wood panels.
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We had many clients who needed many different kinds of artwork and I wanted to be able to create 100% of the art in Photoshop, if possible. Then, I was hired as a graphic designer in 2002, and it was at this company that I started getting serious about designing my own custom brushes for illustration. While at my first job, I started experimenting a little with brush creation as a way to create random patterns for website background elements. Immediately following college, I was hired as a web designer and I found as many excuses as possible to create graphics on the job, rather than write code. I started using Photoshop in 1998 in my senior year of college and was instantly addicted. We caught up with him recently to learn more about his history and process: Can you tell us about your progression in Photoshop? How did you make the move from painting in Photoshop to creating your own brushes? If you’re an illustrator or digital artist, I’ll bet you’ve either used or heard of Kyle’s custom Photoshop brushes. Artists helping each other and benefiting from each other’s work is always awesome to see, and is especially perpetuated by Kyle T. One of the Photoshop community’s most admirable qualities is its collaborative spirit.